January Conference 1999
THEATRE
: ANCIENT & MODERN
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Opening Plenary
Forty
Years of Theatre Research and its Future Directions
J.R. Green, University of Sydney, Australia
Comedy Panel
Introduction
by Stanley Ireland, University of Warwick, U.K.
On
editing and translating Menander
Geoffrey Arnott (University of Leeds, U.K.)
[abstract]
The
Language of Plautus' Parasites
Robert Maltby (University of Leeds, U.K)
[abstract]
The
Parados of Aristophanes' Knights
Keith Sidwell (University College Cork, Ireland)
[abstract]
Nineteenth and Twentieth
Century Reception
Introduction by Fiona Macintosh, Archive of Performances of
Greek
and Roman Drama, University of Oxford, U.K.
Shaw’s
response to the deus ex machina: From The Quintessence of Ibsenism
to Heartbreak House
Miriam Handley (University of Sheffield, U.K.)
[abstract]
Theatres
of the Mind : Greek tragedy in women's writings in English in
the nineteenth century
Lorna Hardwick (Open University, U.K.)
[abstract]
Electra
: A Fragmented Woman
Ruth Hazel (Open University, U.K.)
[abstract]
Black
Dionysus: Greek Tragedy from Africa
Marianne McDonald (University of California, San Diego, USA)
[abstract]
(Mis)Translating
Tragedy: Irish Poets and Greek Plays
Des O’Rawe (Queen’s University, Belfast, U.K.)
[abstract]
Profound
Ambiguities in Sophocles' and Anouilh's Antigone
Jan Parker (The Open University, U.K.)
[abstract]
Performance
Introduction by Nick Lowe (Royal Holloway College, University
of London, U.K.)
Initial
Entrances in Three Sophoclean Tragedies
David Fitzpatrick (University of Nottingham, UK)
[abstract]
Enter
Odysseus? Greek Theatrical Conventions in Sophocles' Philoctetes
Eleanor O'Kell (University of Exeter, U.K.)
[abstract]
Greek
Tragedy and Storytelling - a fresh look at narrative and performance
Steve Woodward (The Open University, U.K.)
[abstract]
Theatrical Language
Introduction by Pat Easterling, (University of Cambridge,
U.K. )
Visual
and Verbal Symbolism in Greek Tragedy: The case of the uncut rock
in Oedipus at Colonus
Felix Budelmann (University of Manchester, U.K.)
[abstract]
Plato's
use of theatrical vocabulary
Nikos Charalabopoulos (University of Cambridge, U.K.)
[abstract]
Marking
the Messenger : Language and Function in Greek Tragedy
Lynn Fotheringham (University of Oxford, U.K.)
[abstract]
The
Spring Before it is Sprung: Visual and non-verbal aspects of
power struggle in Aeschylus’ Myrmidons
Pantelis Michelakis (University of Oxford, U.K.)
[abstract]
Work in Progress:
Problems
of categorisation in describing modern productions of ancient
drama
David Gowen (Archive of Performances, University of Oxford, U.K.)
Closing Plenary
Ancient
Greek Drama in the New South Africa
Margaret R. Mezzabotta (University of Cape Town, South Africa)
[abstract]
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Classical Receptions in Drama and Poetry in English