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Presenting divergent alternatives simultaneously: Naomi Cooke as Clytaemnestra, with the puppet representing her dead child. Copyright: Dave Finchett
A reading of 'Palamedes' (The Chorus) Copyright: www.daveashtonphotography.com
Cambridge Greek Play 2001, Electra. Copyright Jane Montgomery Grifiths
 

A Journal for Practitioners' Voices in Classical Reception Studies

ISSN 1756-5049

 


About
Practitioners Voices

Editor

International Advisory Board

Issue 1 (Nov. 2007)

Issue 2 (Sept. 2010)

Contacts

© Copyright Notice


 


Classical Presences

(Oxford and New York : Oxford University Press)

The texts, ideas, images, and material culture of ancient Greece and Rome have always been crucial to attempts to appropriate the past in order to authenticate the present. They underlie the mapping of change and the assertion and challenging of values and identities, old and new.

Classical Presences brings the latest scholarship to bear on the contexts, theory, and practice of such use, and abuse, of the classical past.

Athens in Paris Ancient Greece and the Political in Post-War French Thought
Miriam Leonard

Classics in Post-Colonial Worlds
Lorna Hardwick, Carol Gillespie

Crossroads in the Black Aegean Oedipus, Antigone, and Dramas of the African Diaspora
Barbara Goff, Michael Simpson

Homer in the Twentieth Century Between World Literature and the Western Canon
Barbara Graziosi, Emily Greenwood

Laughing with Medusa Classical Myth and Feminist Thought
Vanda Zajko, Miriam Leonard

Laughing with Medusa Classical Myth and Feminist Thought
Vanda Zajko, Miriam Leonard

Placing Modern Greece The Dynamics of Romantic Hellenism, 1770-1840
Constanze Guthenke

The Nation and its Ruins Antiquity, Archaeology, and National Imagination in Greece
Yannis Hamilakis

The Other Virgil `Pessimistic' Readings of the Aeneid in Early Modern Culture
Craig Kallendorf

Translation and the Classic Identity as Change in the History of Culture
Alexandra Lianeri, Vanda Zajko

Victorian Women Writers and the Classics The Feminine of Homer
Isobel Hurst