Professor Lorna Hardwick
2009 (forthcoming) 'Cultural Spaces in the recent translation and performance of Greek Drama' in J Griffiths and P Monaghan (eds), Close Relations: The Spaces of Greek and Roman Theatre , Cambridge Scholars Press, Newcastle.
(forthcoming) 'Is the 'silken thread' worth more than 'a fart in a bearskin'? or How Translation practice matters in poetry and drama' in S. J. Harrison (ed.), Living Classics, Oxford , Oxford University Press.
(forthcoming) 'Translations of Classical Drama' in (eds) L. Venuti and M. Cronin, The Oxford History of Translation in English (20th century volume), Oxford : Oxford University Press.
2008 'Translated Classics: Vibrant Hybrids or Shattered Icons?' in (eds) A. Lianeri and V. Zajko, Translation and the Classics. Oxford : Oxford University Press, 341-66
'Can Poets Do Drama? The Case of Ted Hughes', in (ed.) R. Rees, Ted Hughes and the Classics, Oxford : Oxford University Press, 39-61.
2007 'Translating Greek Tragedy to the Modern Stage' in 'Forum: What's at Stake in Theatrical Translation', Special Issue on Theatre and Translation, Theatre Journal , 59.3, October 2007, 347-89
' Contests and Continuities in Classical Traditions: African Migrations in Greek Drama' in J. Hilton and A. Gosling, Africa and the Classical Tradition , Capetown: University of Capetown , 43-72.
'Postcolonial Studies' in C. Kallendorf A Companion to the Classical Tradition . Oxford : Oxford University Press, 312-27.
Shades of Multi-Lingualism and Multi-Vocalism in Modern Performances of Greek Tragedy in Post-Colonial Contexts. In L. Hardwick & C. Gillespie (eds) Classics in Post-Colonial Worlds, Oxford : Oxford University Press, 305-28.
'Text and Performance in Ancient Greek Plays on the Modern Stage: The Case of Aristophanes' Ecclesiazusai ' in I. Vivilakis (ed.) Stephanos: Tribute to Walter Puchner , Athens , Ergo Editions, 493-500.
'De-colonizing the Mind? Controversial productions of Greek Drama in Post-Colonial England, Scotland and Ireland ', in C. Stray (ed.) Remaking the Classics , London : Duckworth, 89-105.
'Singing across the faultlines: cultural shifts in twentieth century receptions of Homer' in (eds) B. Graziosi and E. Greenwood , Homer in the 20th Century: Between World Literature and the Western Canon, Oxford : Oxford University Press, 47-74.
(ed. with C. Gillespie) Classics in Post-Colonial Worlds. Oxford : Oxford University Press.
(ed. with C. A. Stray) The Blackwell Companion to Classical Receptions . Oxford : Blackwell.
2006 ''Murmurs in the Cathedral': the impact of translations from Greek poetry and drama on modern work in English by Michael Longley and Seamus Heaney' Yearbook of English Studies, 36/1 on 'Translation'. London : Modern Humanities Research Association, 204-15.
'Remodelling Receptions: Greek Drama as Diaspora in Performance' in (eds) C. Martindale and R. Thomas, Classics and the Uses of Reception, Oxford : Blackwell, 204-15.
'Staging Sophocles in post-colonial contexts' in (ed.) N. Shiafkalis, The influence of Sophocles on Contemporary Theatre , Nicosia : International Theatre Institute, pp. 75-94 (Greek) and 258-76 (English).
2005 'Refiguring Classical Texts: Aspects of the Post-colonial Condition' in (ed.) B. Goff, Classics and Colonialism, London : Duckworth, 107-17.
'The Comic in the Tragic: Parody and Critique in modern productions of Euripides' Hecuba', in (ed.) M. Kolk The Performance of the Comic: Arabic Theatre, Documenta 23/3, Belgium 306-15.
'Staging Agamemnon: The Languages of Translation', in (eds) F. Macintosh, P. Michelakis, E. Hall, and O. Taplin, Agamemnon in Performance, 458 BC-2004 AD, Oxford: Oxford University Press, 207-21.
'The praxis of what is 'European' in modern performance of Greek drama: The multi-lingual turn' Parados 6, pp6-8, Athens .
2004 'Shards and Suckers: Modern Receptions of Homer' in (ed.) R. Fowler, The Cambridge Companion to Homer, Cambridge : Cambridge University Press, 338-54.
'Greek drama and anti-colonialism: De-colonising Classics', in E. Hall, F. Macintosh and A. Wrigley (eds), Dionysus since '69: Tragedy at the Dawn of the Millennium, Oxford : Oxford University Press, 219-44.
'Sophocles' Oedipus and Conflicts of Identity in Post-colonial contexts', in (eds) F. Decreus and M. Kolk Reading Classics in 'East' and 'West', Documenta, 22/4, Belgium, 376-86.
2003 Greece and Rome New Surveys in the Classics no. 33 Reception Studies ; Oxford : Oxford University Press.
2003 'Classical Theatre in Modern Scotland: A Democratic Stage' in Hardwick and Gillespie (eds.), The Role of Greek Drama and Poetry in Crossing and Redefining Cultural Boundaries , Milton Keynes , 1-12, and at www2.open.ac.uk/ClassicalStudies/GreekPlays/Seminar02/SS.htm
(ed. with C. Gillespie) The Role of Greek Drama and Poetry in Crossing and Redefining Cultural Boundaries , Milton Keynes . www2.open.ac.uk/ClassicalStudies/GreekPlays/Seminar02/SS.htm
2002 'Classical Texts in Post-Colonial Literatures: Consolation, Redress and New Beginnings in the Work of Derek Walcott and Seamus Heaney' in the I nternational Journal of the Classical Tradition , 9/2:236-56.
2001 'Who owns the plays? Issues in the translation and performance of Greek drama on the modern stage', Eirene, Studia Graecia et Latina (Theatralia) 37, Prague , 23-39.
2000 'Placing Prometheus' in (ed) Hardwick, L., Tony Harrison's Poetry, Drama and Film: The Classical Dimension, Selected Proceedings of the Open Colloquium 1999 , Milton Keynes , 1-15, and at www2.open.ac.uk/ClassicalStudies/GreekPlays/Colq99/colq99.htm
Translating words, translating cultures Classical inter/faces Series. London : Duckworth.
(ed. with , P. Easterling, S. Ireland , N. Lowe, and F. Macintosh) Selected Proceedings of the January Conference 1999: Theatre Ancient and Modern . Milton Keynes , and at www2.open.ac.uk/ClassicalStudies/GreekPlays/Conf99/index.htm
(ed.) Tony Harrison's Poetry, Drama and Film: The Classical Dimension, Selected Proceedings of the Open Colloquium , Milton Keynes , and at www2.open.ac.uk/ClassicalStudies/GreekPlays/Colq99/colq99.htm
1997 'Reception as Simile: the poetics of reversal in Homer and Derek Walcott', International Journal of the Classical Tradition, 3, Winter, 326-38, Boston .
1996 'A Daidolos in the late-modern age? Transplanting Homer into Derek Walcott's The Odyssey: A stage version ,' in (eds.) L. Hardwick and S. Ireland , pp:
'Critical Humanism in Action: Towards reading Aeschylus' The Persians ', Media and Technology for Human Resource Development, 7 and 8/1, Special Issue, 12-23. New Delhi : All India Association for Educational Technology.
(ed. with S. Ireland ) Selected Proceedings of the January Conference 1996: The Reception of Classical Texts and Images . Milton Keynes : The Open University. |
